Some Sunday Links

A few cool things found floating around the World Wide Web:

3:AM interviews David James on Fichte, Rousseau, and idealism:

‘I think that Fichte’s essential role in the development of German Idealism can nevertheless be identified fairly clearly. Essentially, he sought to explain the unity of reason explicitly in terms of the idea of autonomy in the sense of reason’s independence of anything other than itself, an independence that he explains in terms of its being governed by rules or principles whose source is in each case somehow itself. Whatever one makes of such an undertaking, it opens the way for investigation of a number of issues that I take to be central to German Idealism, such as how human reason might be conceived as a whole whose basic forms share the same essential structure, rather than a collection of disparate parts (e.g. faculties), the extent to which theoretical reason is determined by practical reason in the sense that a practical engagement with others and the world more generally shapes how we think of ourselves and conceive our relations to that which we take to be other than others, and finally how reason can be thought to remain autonomous in the face of that which appears to be wholly independent of it.’

 

NPR interviews Ben Yagoda on When Pop Broke Up With Jazz:

‘There was a change in popular taste. The soldiers who had come back from World War II didn’t seem to be as interested in the more complex, challenging kind of popular song, the more jazz-based song. Sentimental ballads and, yes, novelty numbers, suddenly was much more appealing.’

 

The Cornell Lab of Ornithology has a whole slew of Livestream Bird Cams – the wife and I have been watching the great horned owl since yesterday.

 

In Nature magazine, two physicists attempt to defend the integrity of physics:

‘This year, debates in physics circles took a worrying turn. Faced with difficulties in applying fundamental theories to the observed Universe, some researchers called for a change in how theoretical physics is done. They began to argue — explicitly — that if a theory is sufficiently elegant and explanatory, it need not be tested experimentally, breaking with centuries of philosophical tradition of defining scientific knowledge as empirical. We disagree. As the philosopher of science Karl Popper argued: a theory must be falsifiable to be scientific.’

 

 Wesley Hill has written two articles on First Things defending the doctrine of divine impassibility, the first here and the second one here:
‘Almost three decades ago, theologian Ronald Goetz spoke of the rise of a “new orthodoxy” in Christian thought. He was referring to twentieth-century theology’s enthrallment with the theme of the suffering of God.By the time Goetz wrote, that theme—of God hanging there on the gallows with the innocent sufferer, in the timeless image Elie Wiesel offered in his book Night—had come to dominate many forms of Protestant theology. Dietrich Bonhoeffer had written from a Nazi prison that “only the suffering God can help.” Jürgen Moltmann, in the wake of the revelation of the full extent of the Holocaust, had authored a book called The Crucified God. And figures as diverse as the process theologian Alfred North Whitehead, who characterized God as “the fellow-sufferer who understands,” and the Japanese Lutheran Kazoh Kitamori, who spoke of “the pain of God,” had ushered in a way of thinking about divine majesty and power as God’s ability and will to share in human misery. Across the spectrum, from both pulpits and pews, the “new orthodoxy” came to reign: God suffers in God’s own nature.’
‘Put positively, because the Christian God is radically transcendent (which “impassibility” gestures toward), therefore God can take human nature to himself without displacing it or destroying it. And because the transcendent God has taken human nature to himself, the suffering which God undergoes in that nature is redemptive, rather than simply passive victimhood and solidarity with us. Because it is God who suffers in Christ, that suffering is not simply the suffering a fellow-sufferer who understands but is instead the suffering of One who is able to end all suffering by overcoming it in resurrection and ascension and immortality. Paradoxically, perhaps, it is only by affirming impassibility that we can maintain the deepest soteriological import of the suffering God takes on himself in and through the Incarnation.’

Toumo Mannerma, the man behind the New Finnish Interpretation of Luther, passed away last week, and Concordia Theology wrote a wonderful piece on his life and work:
 ‘At a time when Luther studies had drifted into doldrums of a sort, Mannermaa’s arguing that the heart of the Wittenberg theology lay in Luther’s adherence to theosis as an explanation of how God bestows righteousness upon sinners aroused discussion and returned researchers to the central question of the Reformation. The discussion around his ideas has moved beyond his initial ideas, but the stimulus he has given has served the church and scholarship in special ways. We thank the Lord for this friend.’

Marcus Borg, controversial historical Jesus scholar, friend of liberals, enemy of conservatives, also passed away last week as well (a very sad week for theology), and while there have been a number of lovely tributes, here’s the one that broke the news to me:
 ‘Very many people who had left the Christian faith have returned to it through Marcus’ evangelism (though he would grimace at my use of the word, I suspect). Marcus was a Christian, a follower of Jesus Christ in word and in deed. He understood Jesus (and especially the Resurrection) differently than I do. But the veracity of his faith was clear. And calm. And passionate.’

 

A Few MidWeek Links

A few fun links I’ve found on the web:

What N.T. Wright does with the early high christology of Hurtado, Tilling and Bauckham, by  Andrew Perriman

‘Wright aims to take the EHC argument a step further—in a way that effects some measure of reconvergence between the two strands, though he doesn’t put it in such terms. He accepts Hurtado’s thesis that it was the experience of the presence of the risen Christ that led the early Christians to worship Jesus and then develop a high christology through a rereading of the scriptures. Chris Tilling’s relational christology gets an approving mention in passing. But the more important hypothesis to emerge in recent explorations of early christology is Bauckham’s argument that Jesus is included in the unique “divine identity” of the one God.’

To Trust the Person Who Wrote the Books, by Francesca Aran Murphy  (review of Stephen Long’s book on Barth/Balthasar, with a reply by Long)

‘The thesis of this book is that von Balthasar spotted that when Karl Barth criticized the Catholic idea of an analogy of being between creatures and God, he had confused the Catholic analogia entis with the doctrine of a “pure nature,” used by Tridentine Catholic theologians to theorize a virtual reality which is emptied of grace. Long’s thesis is that von Balthasar thought that when Karl Barth heard “analogy of being between creatures and God” the word “creatures” got itself translated into “pure nature” and so Barth imagined that Catholics were constructing a real (rather than hypothetical) foundation for theology upon this “pure nature,” which is graceless and Godless. Long observes that von Balthasar has not only this negative observation about Barth to contribute, but also a positive perception of a “turn” toward acknowledgement of the “analogy” made by Barth round about the time he wrote his book on Anselm, and which is apparent in the Church Dogmatics. Barth may prefer to call it “analogy of faith” rather than “analogy of being,” but in effect he has perceived that, in the person of Christ, there is an analogy between creature (created human nature) and God (uncreated divine nature), and that this analogy is the operative center of theology. Long’s thesis is, moreover, that von Balthasar was right about this, and not merely right about that as a textual claim with regard to Barth’s writings, but right about reality—there is a Christ-formed analogy of being between creatures and God, and above all there is no non-hypothetically, actually existent pure nature.’

Wagner and German Idealism, by Roger Scruton

‘Wagner was to the end of his life a philosopher. All the currents of philosophical thinking that were important in his day, from Fichte’s idolisation of the self to Marx’s critique of the capitalist economy, and from Feuerbach’s repudiation of religion to Schopenhauer’s theory of the will, left traces in his dramas. There is no work of philosophy that delves so deeply into the paradoxes of erotic love as Tristan and Isolde, no work of Christian theology that matches Wagner’s exploration of the Eucharist in Parsifal, and no work of political theory that uncovers the place of power and law in the human psyche with the perceptiveness of The Ring. While taking us into the heart of philosophical concerns, however, Wagner never sacrifices concrete emotion to abstract ideas. Indeed, Tristan and Isolde, to take what for me is the greatest example of this, succeeds in displaying the philosophical mystery of erotic love only because Wagner creates a believable drama, and music that moves with the force and momentum of desire.’

The Conversation Shifts, by Scot McKnight

Some thought this new perspective on Paul — typified in the writings of Sanders, Dunn, and N.T Wright — would unravel the guts of the Reformation doctrine of sin (self-justification) and justification if one did not check the new wave of thinking. All the while at the foundation of this new perspective was a genuinely radical revision of what Judaism was all about. As it turns out, the “old” perspective assumed and in some ways required that Judaism (and especially Paul’s critiques) be a works based religion. With the growing conviction that Judaism was a covenant and election based religion (Sanders, Wright) there came a radical change in how Paul’s opponents were understood and therefore what Paul was actually teaching. He was, to use the words of Dunn, opposing “boundary markers” more than self-justification.’

Musical Notes

A few songs/artists I’ve been enjoying:

Subheim – Away, from their album ‘Approach’

Excellent dark ambient/electronica.

sync24 – ‘1N50MN14’, from their album ‘Comfortable Void’

More dark electronica with ambient.

Twin Forks, ‘Scraping Up the Pieces’, from their self-titled album.

Stompy folk with a great rhythm.

Les Fragments De La Nuit – Devenons Demain II, from their album ‘Musique du Crépuscule’

Atmospheric, dark string/piano.

Scruton and Nussbaum on Consolation, Individuality, Emotion and Music

Transcribed from Scruton’s and Nussbaum’s brilliant ‘Beauty and Consolation’ interviews:

‘All our unhappiness and alienation come from the attempt to be an individual above everything else, whereas consolation comes when one relaxes into a sense of something greater than oneself, and that is one’s species life and also the whole of history and eternity which that represents. And you do that in conjunction with animals because they already exists in that species life.

This horse for instance is immersed completely in his species being and that’s why he’s frightened of you lot [the interviewer/camera crew]. He’s not frightened of me, he knows me from hunting. We go side by side into these great animal adventures, and we lose our individuality together, and individuality which in fact he never fully had but I always have.’

– Roger Scruton

‘We form our deepest emotions at a time when our inner life is rather dreamlike, that is when we’re such small infants that we can’t speak and we aren’t part of society yet, and I think that music has some of the power it does because it’s able to tap some of those deeper layers of the personality and bring back to us some of the intense and extremely sharp but also archaic and unfocused emotions of childhood.

So in that way it is more able than is a lot of literature to jolt us out of our sense of normalcy, our sense that we’re just going about in the world using language in the usual and habitual way. So there’s a way in which music pierces like a beam straight to the most vulnerable parts of personality.

When Mahler was conducting his own work he described this experience saying, ‘a burning pain, crystallized’. And that’s the experience I think I often have with music, that there is a kind of pain in the personality somewhere buried to deep for words, and music doesn’t just reproduce it but in some way does crystallize it, it gives it a form, but a form that’s not the form of daily conversation, and it’s precisely for that reason that it has the power that it does.’

– Martha Nussbaum

The Next Time a Christian Musician Opens Their Mouth About Anything That Isn’t Music…

…think on these words of wisdom:

‘It’s so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don’t know jack about anything. Not that I don’t want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church…you should read the Scriptures.’

– Rich Mullins