Transcribed from Scruton’s and Nussbaum’s brilliant ‘Beauty and Consolation’ interviews:
‘All our unhappiness and alienation come from the attempt to be an individual above everything else, whereas consolation comes when one relaxes into a sense of something greater than oneself, and that is one’s species life and also the whole of history and eternity which that represents. And you do that in conjunction with animals because they already exists in that species life.
This horse for instance is immersed completely in his species being and that’s why he’s frightened of you lot [the interviewer/camera crew]. He’s not frightened of me, he knows me from hunting. We go side by side into these great animal adventures, and we lose our individuality together, and individuality which in fact he never fully had but I always have.’
– Roger Scruton
‘We form our deepest emotions at a time when our inner life is rather dreamlike, that is when we’re such small infants that we can’t speak and we aren’t part of society yet, and I think that music has some of the power it does because it’s able to tap some of those deeper layers of the personality and bring back to us some of the intense and extremely sharp but also archaic and unfocused emotions of childhood.
So in that way it is more able than is a lot of literature to jolt us out of our sense of normalcy, our sense that we’re just going about in the world using language in the usual and habitual way. So there’s a way in which music pierces like a beam straight to the most vulnerable parts of personality.
When Mahler was conducting his own work he described this experience saying, ‘a burning pain, crystallized’. And that’s the experience I think I often have with music, that there is a kind of pain in the personality somewhere buried to deep for words, and music doesn’t just reproduce it but in some way does crystallize it, it gives it a form, but a form that’s not the form of daily conversation, and it’s precisely for that reason that it has the power that it does.’