It should be no secret that McCarthy is one of my favorite authors – in my opinion, he ranks up there with the great writers of the last hundred years. He’s gained a lot of popularity in recent years because of No Country For Old Men and The Road – but I wouldn’t rate those as his best works by a long shot. But what exactly is it that is so powerful about his writing?
There’s a few things I typically identify: his writing style is pretty much one of a kind. It’s sparse – but it’s not minimalist. He says a lot – sometimes with five words, sometimes with paragraphs. His writing, especially in All the Pretty Horses, is simply quiet. It’s relaxed – it flows at the speed of life, not rushing to the next dialogue or action scene. The story just happens – there’s no stylization, nothing like that. It’s laid-back, relaxed and quiet – however, this doesn’t mean that the content is relaxed, quite the opposite. When reading his works (and I’m thinking here specifically of The Border Trilogy), I get a feeling of sublimity. The books read like how the landscapes they take place in feel – cold, sparse, brutal, but beautiful and even poetic.
The content of McCarthy’s writing, however, is what really impacts me the most. His novels deal with pure human depravity taken to its utmost extremes – for example, in Blood Meridian, Outer Dark and Child of God. There’s no flinching, no holding back – some of the characters and sequences in his earlier works are horrifying, savage and brutal. McCarthy, by using such stark violence, really deconstructs a lot of the mythology surrounding the American Wild West. Apart from the depraved themes often treated by McCarthy, there are some deep metaphysical ideas woven into his works – the nature of good and evil, God, love, war, ethics, anthropology, and a host of other subjects often crop up in his writing. These themes appear in long dialogues or monologues that are reminiscent of Hemingway’s dialogues – short, sparse and to the point, with no extra fluff. In short, McCarthy’s writings sustain a level of moral and philosophical reflection that very few modern books are capable of sustaining.
I really couldn’t point to any one single thing that I think makes McCarthy’s works so powerful – it’s the interweaving of all these things, the violence, the philosophical ideas, the poetic prose, the dreamy narratives that make his writing so brilliant and unique.